Erin Robinson loves a summer thunderstorm and she got one as we chatted in her childhood home in Washington, DC over the July Fourth weekend, her sweeping gestures and sound effects underscored by the distant thunder and gentle rain. We noshed on fresh fruit and spoke of mutual travel glories: the spirit-lift from burning the Mexican tree resin Copal; houseboating in Kerala and bonding with rescued baby elephants.
Her lovely mom Dianne played with Erin’s three-year-old niece Madison; her hospitable dad Harry made it back just before the rains after a round of golf. “We moved to this house when I was in first grade,” she says of the Tudor where she and sisters Kia and Leigh were raised. “I love the neighborhood we grew up in. All the kids would play dodge ball or foursquare or freeze tag and when the sun set we knew it was time to go home. I’d say 70% of the friends I have today are people I grew up with.”
When she wasn’t outside playing she was inside creating. From the age of two-and-half, her mom says “she would just sit and draw.” Erin recalls making shoes for her younger sisters out of the cardboard inserts from her father’s laundered dress shirts. “I would trace their feet for the soles, put labels in them and punch holes in the tops to lace them with ribbon. I was about eleven.” She declared she wanted to be a fashion designer, an illustrator or, like many children, a veterinarian. Her grandmother sent her to the Corcoran School of Art for Saturday classes from seventh to ninth grades.
By high school veterinary science wasn’t a thought. “I had the Beverly Johnsons and Imans, the Gia Carangis and Janice Dickinsons pasted on my walls. I was obsessed with the movie Fame, saw it about 5 times. I really wanted to go to Duke Ellington School of the Arts but my parents thought I was going to be dancing on the lunch room tables, so I got sent to the nuns at Academy of the Holy Names instead.
Upon graduation, Grandma once again advocated for her as an artist, sending her to Parsons School of Design in Paris for the summer. “I lived in the dorm and took illustration with Albert Elia, one of my favorite teachers. I excelled in it. It was amazing.” Erin is ever grateful to her grandmother who passed away just days after she returned.
She attended her father’s alma mater, Howard University, where he has held the posts of Vice President of the University as well as Dean and Professor of Urban Design in the School of Architecture and Planning. Her parents may have been cautious in their schooling preferences, but as Erin says “they were insanely nurturing. Markers, papers, triangles, whatever I needed,they provided.” That included a summer program the following year at Parsons in New York, where she’d wanted to live since she was nine.
Deciding that Howard wasn’t the place for her, she set her sights on attending Parsons full time. “I was thrilled when I got that acceptance letter!” she exclaims. She lived with relatives on the Upper West Side and eventually moved with a roommate to a tiny apartment on Waverly and Perry in Greenwich Village. “It was a four-story walk-up, I had a fold-out chair bed and a little half-refrigerator and we thought, This is fantastic! ” She would then establish a long relationship with the great borough of Brooklyn where we met long ago through our dear friend, Barb Chennault.
Erin’s professional foray into fashion was designing sweaters for the Jaclyn Smith Collection, a Kmart property. Over a storied career with stints at the likes of Kikit and Abercrombie & Fitch among others she came full circle to become the vice-president of the baby division of Kmart/Sears Holdings, Inc.
With an eye on costume design, she decided to move to Los Angeles in 1992. “When you’re in your twenties you’re fearless, I didn’t have a pot to piss in, but I was going,” she says. Armed with optimism and a $500 parental subsidy, off she went. Soon after, she secured a job building costumes on the popular sketch comedy In Living Color where Barb worked in the wardrobe department.
From Fire Marshall Bill to Wanda, making costumes there “was like Halloween arts and crafts, ” she recalls. ” I mean it wasn’t couture, it was more like where’s the stapler? Hot glue gun? Maybe a couple of stitches?’ she laughs. “It was a career highlight, that job. I am still very close to the people I met there. There was a very small black wardrobe community in LA, we’d always look out for each other. The hours were crazy, but it was a blast!
She left behind the grind of TV/film production to return to New York where she began her career in childrenswear with Baby Gap. Why kidswear? “Women’s is so nit-picky with 5 million different opinions,” she says. “Baby is sweet, cute, a lot of fun. You don’t have to be so serious.” That doesn’t mean she didn’t work hard. “I worked my behind off. It exposed me not only to some amazing, talented people but also to travel: Hong Kong, Europe and Tokyo.” During her seven-year tenure she designed newborn as well, but managerial differences sent her packing, at least temporarily, to fervent freelancing and traveling. “I was hustling. I was like you’re gonna work this then you’re gonna get on an airplane.”
Hired to revamp the Kmart brand, former Gap Executive Vice President Lisa Schultz tapped Erin to update the baby division. They literally did from the ground up out of Lisa’s apartment until the Midwest-based company secured New York offices. “It gave me this opportunity to utilize all my skills. It was insane at times but so creative. I’m proud of what we established.”
As the business grew, so did corporate intervention. “I felt myself getting swallowed up, like I was drowning there and I just needed a change.” While in Hawaii for a wedding, she saw people cliff jumping in Waimea Bay and decided to go for it. She fretted a bit but found encouragement in the voices of kids shouting “lady, don’t look down, just jump.” She did. “It was like a cleansing, a baptism. When I surfaced I was on an adrenaline high and I set a date in my head and a plan in motion: this time next year you are going to be out.”
“My home is special to me, it is my sanctuary, It took me a long time to get it just as I liked it.” But she packed up her life, gave up her space, and lived out of bags as she plotted her sabbatical to decompress, refuel and serve– perhaps in the Congo.
She remembers sharing her plan with her mother. “My mom is really strong, protective and stoic. The look I saw in her face –the fear– broke my heart, but ultimately she offered her complete support.” Her father didn’t take to the idea as easily but once he came around he jumped into action suggesting items for her pack. “I actually found it quite comical and endearing. He made sure I was set and “saw me off at the airport with my little orange backpack.”
She flew into Kigali, the capital of genocide-ravaged Rwanda. “You feel the veil of heaviness of what took place. It’s hard to come across anyone that was not affected in some way.” Thwarted by advisories to stay out of the region, her plan to serve in the DRC was reconfigured to join Peace Corps workers by volunteering with Kageno.org in Banda Village.
Aware of and grateful for her life’s privilege she wanted to somehow give back and as an African American woman to dispel the notion of the white savior. With her light complexion and green eyes the villagers called her mzungu– white person. For a girl raised in 1970′s Chocolate City, to be considered anything other than black took her aback. “Nitwa Erin," my name is Erin, she asserted.
During her stay, she assisted in any way she could from serving nutrient-rich Susomna to the malnourished children to painting illustrations of vocabulary words on the walls of the schoolroom. As she painted she played Brazilian music, a Pied Piper’s call to a quartet of young village girls, who came and doodled on the blackboard as she worked.
Erin will never forget the children’s stories of survival, like that of eight-year-old miracle, Rebecca. The back of her head is deeply scarred from a long-ago baboon attack. She’d been in the fields with her older siblings when aggressive baboons descended from the forest. Frightened, her siblings ran to get their parents, leaving the three-year-old behind. When they returned to the scene, Rebecca was gone. The beasts had carried her off, mauled her and left her for dead. It’s incredible that she survived and that her parents were able to find her.
Of her new friends Erin says, “I want them to know I care, that it wasn’t a one-shot deal.” She plans to return with clothing, necessities and prints of the many beautiful images she snapped.
Heading north to the Virungas, a cluster of volcanoes bordering Rwanda, Uganda, and the DRC, the trek was literally and figuratively breathtaking. The high altitude left Erin breathless as did the incredible vistas and the origin of the Nile. “We hung out with the gorillas– the original
Next stop, Nairobi, Kenya where she visited the animal orphanages, getting up close and personal with the endangered monkeys, giraffes, cheetahs, and elephants. She then went to neighboring Kibera, originally developed by the British as a forest settlement for Nubian soldiers returning home after service in World War I. Today the impoverished residents live in squalid conditions. As Erin’s guide led her through the muck and filth to the slum’s center, she felt afraid for the first time on her trip. He sensed her fear, looked at her very directly and said “Don’t be scared. We are not criminals, we are just very, very poor.” She was deeply moved and tried to hide her tears. “Will you come back? “ he asked. He found something on the ground to write down an email address. She’s since written but received no reply.
From the motherland to Indonesia, the leg of her journey designed to “get balanced again… Bali is spiritual, so beautiful it’s ridiculous.” She began each day in meditation; on Mondays and Saturdays she took life drawing classes, something she hadn’t done since her Parsons days and she spent her first ever Christmas away from her family. “I stayed a month, but I could live there,” she says dreamily. In Bali, I cared for myself inside and out. I had an aura and I truly felt beautiful.”
She left the calm for the cacophony of Delhi, teeming with people, livestock, dust and risky driving. “India is where I confronted myself and it was hard. She was glad to connect with her friend, travel writer Jonathan Yevin who traverses the globe with all he needs tucked into the pockets of his cargo pants. They took the no-frills option from Delhi to Agra, the second-class train, made the requisite pilgrimage to the Taj Mahal and were invited to the nearby ultra-luxe hotel Oberoi Amarvilas for a tour and lunch. “ So we walked into the Oberoi, these two little raggedy vagabonds.” As at the Taj, there was a glaring juxtaposition of opulent beauty within the gates and extreme poverty just outside.
In Jaipur, she felt a surge of creative energy. “It inspired me. Between the gold leaf and the textures and the walls, I designed a line of dresses. And on the backwaters of the southern state of Kerala, home of “the nicest people ever,” she and a friend rented a houseboat under the palms as everyone back home in the eastern US was inundated with snow.
At the start of her adventure some questioned the wisdom of giving up her VP gig and fabulous two bedroom loft with Dad’s Eames chair, but the universe rewards the courageous. She’s returned to the team she loves at Sears Holdings and soon moves into a new apartment in the same beloved Brooklyn loft building…but with a firm commitment to giving back.
Her Gemini twin selves seek beauty in the ethereal and the earthly, bound in loving sentiment by both. Here’s a look into some of the things she holds dear:
1. My Sketchbooks. Repositiories of her incredible talent, they hold her inspirations, her imaginings and creative intentions. Here, the fruit of her Jaipur musings.
2. Daydreaming. The daydreamer and her untitled painting. ”Anyone who knows me knows that I love to daydream.”
3. My Mayan and Aztec calender necklaces. She is rarely seen without one of the two. ”I like having the sun close to my heart.”
4. Fragrant florals. Her favorites are peony, tuberose and lilac. She tries to buy herself flowers once a week.
5. My camera. An avid photographer and sentimental documentation of life experience, she is seldom without her Canon PowerShot G10.
6. Tulum, Mexico. It has become an annual ritual to visit the pristine beaches of the Yucatán peninsula for her late spring birthday or new year retreat at Sueños Tulum, the eco-friendly resort.
7. Bali rituals. Fueling her pre-existing “incense junkieness,” she took on the clarifying morning practices. “They get up in the morning, gather the Frangipani, the Plumeria, and they offer something to their gods whether it’s a Ritz cracker or a cigarette. And they light the incense and meditate with the Buddhas and the Lakshmis…”
8. Sasha dolls. Introduced in the 1960′s by Swiss artist Sasha Morgenthaler, the dolls were intended to depict a universal image of childhood. Dianne Robinson made certain that her girls played with dolls of varying skin tones, not just the blonde, blue-eyed offerings that lined most shelves at that time. Now collectible, the dolls can be found through sources like Ebay. Here, the Cora doll.
10. Daddy and me at Dulles Airport. One of a couple of treasured photos with her Vietnam-bound father. “I look at that photo and thank the creator for the opportunity to experience my father and have him nurture me to who I am today. I don’t have to make up stories or daydream about who he was because he came home.” First Lieutenant Harry G. Robinson III returned from Vietnam with a Bronze Star and a Purple Heart to raise a beautiful family with wife Dianne and establish a long and illustrious career.